PCT Background Remover

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Background removal separates a subject from its surroundings so you can place it on transparency, swap the scene, or composite it into a new design. Under the hood you’re estimating an alpha matte—a per-pixel opacity from 0 to 1—and then alpha-compositing the foreground over something else. This is the math from Porter–Duff and the cause of familiar pitfalls like “fringes” and straight vs. premultiplied alpha. For practical guidance on premultiplication and linear color, see Microsoft’s Win2D notes, Søren Sandmann, and Lomont’s write-up on linear blending.


The main ways people remove backgrounds

1) Chroma key (“green/blue screen”)

If you can control capture, paint the backdrop a solid color (often green) and key that hue away. It’s fast, battle-tested in film and broadcast, and ideal for video. The trade-offs are lighting and wardrobe: colored light spills onto edges (especially hair), so you’ll use despill tools to neutralize contamination. Good primers include Nuke’s docs, Mixing Light, and a hands-on Fusion demo.

2) Interactive segmentation (classic CV)

For single images with messy backgrounds, interactive algorithms need a few user hints—e.g., a loose rectangle or scribbles—and converge to a crisp mask. The canonical method is GrabCut (book chapter), which learns color models for foreground/background and uses graph cuts iteratively to separate them. You’ll see similar ideas in GIMP’s Foreground Select based on SIOX (ImageJ plugin).

3) Image matting (fine-grained alpha)

Matting solves fractional transparency at wispy boundaries (hair, fur, smoke, glass). Classic closed-form matting takes a trimap (definitely-fore/definitely-back/unknown) and solves a linear system for alpha with strong edge fidelity. Modern deep image matting trains neural nets on the Adobe Composition-1K dataset (MMEditing docs), and is evaluated with metrics like SAD, MSE, Gradient, and Connectivity (benchmark explainer).

4) Deep learning cutouts (no trimap)

Related segmentation work is also useful: DeepLabv3+ refines boundaries with an encoder–decoder and atrous convolutions (PDF); Mask R-CNN gives per-instance masks (PDF); and SAM (Segment Anything) is a promptable foundation model that zero-shots masks on unfamiliar images.


What popular tools do


Workflow tips for cleaner cutouts

  1. Shoot smart. Good lighting and strong subject–background contrast help every method. With green/blue screens, plan for despill (guide).
  2. Start broad, refine narrow. Run an automatic selection (Select Subject, U2-Net, SAM), then refine edges with brushes or matting (e.g., closed-form).
  3. Mind semi-transparency. Glass, veils, motion blur, flyaway hair need true alpha (not just a hard mask). Methods that also recover F/B/α minimize halos.
  4. Know your alpha. Straight vs. premultiplied produce different edge behavior; export/composite consistently (see overview, Hargreaves).
  5. Pick the right output. For “no background,” deliver a raster with a clean alpha (e.g., PNG/WebP) or keep layered files with masks if further edits are expected. The key is the quality of the alpha you computed—rooted in Porter–Duff.

Quality & evaluation

Academic work reports SAD, MSE, Gradient, and Connectivity errors on Composition-1K. If you’re picking a model, look for those metrics (metric defs; Background Matting metrics section). For portraits/video, MODNet and Background Matting V2 are strong; for general “salient object” images, U2-Net is a solid baseline; for tough transparency, FBA can be cleaner.


Common edge cases (and fixes)

  • Hair & fur: favor matting (trimap or portrait matting like MODNet) and inspect on a checkerboard.
  • Fine structures (bike spokes, fishing line): use high-res inputs and a boundary-aware segmenter such as DeepLabv3+ as a pre-step before matting.
  • See-through stuff (smoke, glass): you need fractional alpha and often foreground color estimation (FBA).
  • Video conferencing: if you can capture a clean plate, Background Matting V2 looks more natural than naive “virtual background” toggles.

Where this shows up in the real world


Why cutouts sometimes look fake (and fixes)

  • Color spill: green/blue light wraps onto the subject—use despill controls or targeted color replacement.
  • Halo/fringes: usually an alpha-interpretation mismatch (straight vs. premultiplied) or edge pixels contaminated by the old background; convert/interpret correctly (overview, details).
  • Wrong blur/grain: paste a razor-sharp subject into a soft background and it pops; match lens blur and grain after compositing (see Porter–Duff basics).

TL;DR playbook

  1. If you control capture: use chroma key; light evenly; plan despill.
  2. If it’s a one-off photo: try Photoshop’s Remove Background, Canva’s remover, or remove.bg; refine with brushes/matting for hair.
  3. If you need production-grade edges: use matting ( closed-form or deep) and check alpha on transparency; mind alpha interpretation.
  4. For portraits/video: consider MODNet or Background Matting V2; for click-guided segmentation, SAM is a powerful front-end.

What is the PCT format?

Apple Macintosh QuickDraw/PICT

The PCT image format, also known as Macintosh PICT format, is a graphics file format that was predominantly used on Macintosh computers. It was originally designed as a metafile format in the 1980s, which means it could contain both bitmap and vector data. This versatility made it a popular choice for storing and transferring a wide range of graphic types, from simple illustrations to complex images. The PCT format was developed by Apple Inc. to facilitate the transfer of graphics between different applications and to serve as a graphics dump format for the QuickDraw graphics library, which was the basis for the graphical user interface of early Macintosh operating systems.

The PCT format is unique in that it can store both vector and bitmap information. Vector graphics are made up of paths defined by mathematical equations, which makes them scalable without loss of quality. Bitmap graphics, on the other hand, are composed of pixels, which can result in loss of detail when scaled up. By combining these two types of data, PCT files could efficiently store complex images such as illustrations with text, line art, and photographic elements, while maintaining the ability to scale certain parts of the image without degradation.

PCT files are structured in a way that they begin with a 512-byte header, which is typically filled with zeros and not used by the PICT format itself. This is followed by the PICT file header, which includes important information such as the version number and the size of the image. The header is succeeded by the image data, which is composed of opcodes (operation codes) that dictate how the image is to be rendered. These opcodes can define lines, shapes, colors, and other graphic elements, as well as bitmap data for raster images.

There are two main versions of the PCT format: PICT1 and PICT2. PICT1 is the original version that supports basic drawing commands and a limited number of colors. PICT2, introduced with the Macintosh II, added support for more sophisticated imaging capabilities, such as 24-bit color, gradients, and JPEG compression. PICT2 also introduced the concept of 'regions' which allowed for more complex clipping operations, where only certain parts of the image would be drawn, based on the defined region.

One of the key features of the PCT format is its ability to compress image data. PCT files use RLE (Run-Length Encoding), a simple form of data compression where sequences of the same data value are stored as a single value and count, rather than as the original run. This is particularly effective for images with large areas of uniform color. PICT2 enhanced this capability by supporting JPEG compression, which is more efficient for compressing photographic images.

The PCT format also includes a number of other features that were advanced for its time. It supports multiple resolutions, which means that an image can be rendered at different levels of detail depending on the output device's capabilities. This is particularly useful when the same image is to be displayed on both a screen and a printer, which typically have very different resolution requirements. Additionally, PCT files can contain a preview image, which is a small bitmap representation of the vector data. This allows applications to quickly display a thumbnail of the image without having to render the entire vector graphic.

Despite its capabilities, the PCT format has several limitations. One of the most significant is its lack of support for transparency. Unlike formats such as GIF and PNG, PCT does not allow for the creation of images with transparent backgrounds or semi-transparent elements. This limitation can be problematic when layering images or when an image needs to be placed over a background of varying colors or patterns.

Another limitation of the PCT format is its platform dependency. PCT was designed for the Macintosh operating system and QuickDraw, which means that it is not natively supported on other platforms. While there are third-party tools and libraries that can read and write PCT files on Windows and other operating systems, the format never gained widespread adoption outside the Macintosh community. This has led to compatibility issues, especially as the use of Macintosh-specific software has declined over time.

The PCT format also has security concerns. In the past, vulnerabilities have been discovered in the way some applications handle PCT files, which could potentially allow for the execution of malicious code. This is a common issue with many file formats, where complexity and backward compatibility can lead to security oversights. As a result, some modern applications have dropped support for the PCT format, or they handle it in a more secure, sandboxed environment.

In terms of file extension, PCT files are typically saved with the '.pct' or '.pict' extension. However, due to the case-insensitive nature of the Macintosh file system, these extensions are interchangeable. When transferring PCT files to systems with case-sensitive file systems, such as Linux, care must be taken to maintain the correct file extension for compatibility purposes.

The PCT format has largely been superseded by more modern image formats like PNG, JPEG, and SVG. These formats offer better compression, wider platform support, and additional features such as transparency and animation. However, PCT files are still in use within certain legacy systems and applications, particularly those that were designed for older Macintosh operating systems. For this reason, understanding the PCT format can be important when dealing with archival graphic materials or when interfacing with older Macintosh software.

For developers and users working with PCT files, there are a number of tools available to view, convert, and edit these images. GraphicConverter is a popular Macintosh application that can handle PCT files among many other formats. Adobe Photoshop also has the capability to open and convert PCT files, although newer versions may have dropped support due to the format's declining relevance. There are also several online tools that allow users to convert PCT files to more common formats like JPEG or PNG.

In the realm of programming, libraries such as ImageMagick and the Python Imaging Library (PIL) can be used to manipulate PCT files programmatically. These libraries provide functions to read, write, and convert PCT files, as well as to perform image processing tasks. However, developers should be aware that support for PCT files in these libraries may be limited compared to more modern formats, and additional effort may be required to handle PCT files correctly.

In conclusion, the PCT image format played a significant role in the early days of Macintosh computing, providing a flexible and powerful way to store and manipulate graphics. While it has been largely replaced by newer formats, its legacy continues in the form of legacy content and applications that still rely on this once ubiquitous format. Understanding the technical aspects of PCT, from its structure and capabilities to its limitations and security concerns, is essential for professionals who may encounter this format in archival work or when interacting with older Macintosh systems.

Supported formats

AAI.aai

AAI Dune image

AI.ai

Adobe Illustrator CS2

AVIF.avif

AV1 Image File Format

BAYER.bayer

Raw Bayer Image

BMP.bmp

Microsoft Windows bitmap image

CIN.cin

Cineon Image File

CLIP.clip

Image Clip Mask

CMYK.cmyk

Raw cyan, magenta, yellow, and black samples

CUR.cur

Microsoft icon

DCX.dcx

ZSoft IBM PC multi-page Paintbrush

DDS.dds

Microsoft DirectDraw Surface

DPX.dpx

SMTPE 268M-2003 (DPX 2.0) image

DXT1.dxt1

Microsoft DirectDraw Surface

EPDF.epdf

Encapsulated Portable Document Format

EPI.epi

Adobe Encapsulated PostScript Interchange format

EPS.eps

Adobe Encapsulated PostScript

EPSF.epsf

Adobe Encapsulated PostScript

EPSI.epsi

Adobe Encapsulated PostScript Interchange format

EPT.ept

Encapsulated PostScript with TIFF preview

EPT2.ept2

Encapsulated PostScript Level II with TIFF preview

EXR.exr

High dynamic-range (HDR) image

FF.ff

Farbfeld

FITS.fits

Flexible Image Transport System

GIF.gif

CompuServe graphics interchange format

HDR.hdr

High Dynamic Range image

HEIC.heic

High Efficiency Image Container

HRZ.hrz

Slow Scan TeleVision

ICO.ico

Microsoft icon

ICON.icon

Microsoft icon

J2C.j2c

JPEG-2000 codestream

J2K.j2k

JPEG-2000 codestream

JNG.jng

JPEG Network Graphics

JP2.jp2

JPEG-2000 File Format Syntax

JPE.jpe

Joint Photographic Experts Group JFIF format

JPEG.jpeg

Joint Photographic Experts Group JFIF format

JPG.jpg

Joint Photographic Experts Group JFIF format

JPM.jpm

JPEG-2000 File Format Syntax

JPS.jps

Joint Photographic Experts Group JPS format

JPT.jpt

JPEG-2000 File Format Syntax

JXL.jxl

JPEG XL image

MAP.map

Multi-resolution Seamless Image Database (MrSID)

MAT.mat

MATLAB level 5 image format

PAL.pal

Palm pixmap

PALM.palm

Palm pixmap

PAM.pam

Common 2-dimensional bitmap format

PBM.pbm

Portable bitmap format (black and white)

PCD.pcd

Photo CD

PCT.pct

Apple Macintosh QuickDraw/PICT

PCX.pcx

ZSoft IBM PC Paintbrush

PDB.pdb

Palm Database ImageViewer Format

PDF.pdf

Portable Document Format

PDFA.pdfa

Portable Document Archive Format

PFM.pfm

Portable float format

PGM.pgm

Portable graymap format (gray scale)

PGX.pgx

JPEG 2000 uncompressed format

PICT.pict

Apple Macintosh QuickDraw/PICT

PJPEG.pjpeg

Joint Photographic Experts Group JFIF format

PNG.png

Portable Network Graphics

PNG00.png00

PNG inheriting bit-depth, color-type from original image

PNG24.png24

Opaque or binary transparent 24-bit RGB (zlib 1.2.11)

PNG32.png32

Opaque or binary transparent 32-bit RGBA

PNG48.png48

Opaque or binary transparent 48-bit RGB

PNG64.png64

Opaque or binary transparent 64-bit RGBA

PNG8.png8

Opaque or binary transparent 8-bit indexed

PNM.pnm

Portable anymap

PPM.ppm

Portable pixmap format (color)

PS.ps

Adobe PostScript file

PSB.psb

Adobe Large Document Format

PSD.psd

Adobe Photoshop bitmap

RGB.rgb

Raw red, green, and blue samples

RGBA.rgba

Raw red, green, blue, and alpha samples

RGBO.rgbo

Raw red, green, blue, and opacity samples

SIX.six

DEC SIXEL Graphics Format

SUN.sun

Sun Rasterfile

SVG.svg

Scalable Vector Graphics

TIFF.tiff

Tagged Image File Format

VDA.vda

Truevision Targa image

VIPS.vips

VIPS image

WBMP.wbmp

Wireless Bitmap (level 0) image

WEBP.webp

WebP Image Format

YUV.yuv

CCIR 601 4:1:1 or 4:2:2

Frequently asked questions

How does this work?

This converter runs entirely in your browser. When you select a file, it is read into memory and converted to the selected format. You can then download the converted file.

How long does it take to convert a file?

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What file types can I convert?

We support converting between all image formats, including JPEG, PNG, GIF, WebP, SVG, BMP, TIFF, and more.

How much does this cost?

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