HRZ Background Remover

Remove backgrounds from any image in your browser. For free, forever.

Private and secure

Everything happens in your browser. Your files never touch our servers.

Blazing fast

No uploading, no waiting. Convert the moment you drop a file.

Actually free

No account required. No hidden costs. No file size tricks.

Background removal separates a subject from its surroundings so you can place it on transparency, swap the scene, or composite it into a new design. Under the hood you’re estimating an alpha matte—a per-pixel opacity from 0 to 1—and then alpha-compositing the foreground over something else. This is the math from Porter–Duff and the cause of familiar pitfalls like “fringes” and straight vs. premultiplied alpha. For practical guidance on premultiplication and linear color, see Microsoft’s Win2D notes, Søren Sandmann, and Lomont’s write-up on linear blending.


The main ways people remove backgrounds

1) Chroma key (“green/blue screen”)

If you can control capture, paint the backdrop a solid color (often green) and key that hue away. It’s fast, battle-tested in film and broadcast, and ideal for video. The trade-offs are lighting and wardrobe: colored light spills onto edges (especially hair), so you’ll use despill tools to neutralize contamination. Good primers include Nuke’s docs, Mixing Light, and a hands-on Fusion demo.

2) Interactive segmentation (classic CV)

For single images with messy backgrounds, interactive algorithms need a few user hints—e.g., a loose rectangle or scribbles—and converge to a crisp mask. The canonical method is GrabCut (book chapter), which learns color models for foreground/background and uses graph cuts iteratively to separate them. You’ll see similar ideas in GIMP’s Foreground Select based on SIOX (ImageJ plugin).

3) Image matting (fine-grained alpha)

Matting solves fractional transparency at wispy boundaries (hair, fur, smoke, glass). Classic closed-form matting takes a trimap (definitely-fore/definitely-back/unknown) and solves a linear system for alpha with strong edge fidelity. Modern deep image matting trains neural nets on the Adobe Composition-1K dataset (MMEditing docs), and is evaluated with metrics like SAD, MSE, Gradient, and Connectivity (benchmark explainer).

4) Deep learning cutouts (no trimap)

Related segmentation work is also useful: DeepLabv3+ refines boundaries with an encoder–decoder and atrous convolutions (PDF); Mask R-CNN gives per-instance masks (PDF); and SAM (Segment Anything) is a promptable foundation model that zero-shots masks on unfamiliar images.


What popular tools do


Workflow tips for cleaner cutouts

  1. Shoot smart. Good lighting and strong subject–background contrast help every method. With green/blue screens, plan for despill (guide).
  2. Start broad, refine narrow. Run an automatic selection (Select Subject, U2-Net, SAM), then refine edges with brushes or matting (e.g., closed-form).
  3. Mind semi-transparency. Glass, veils, motion blur, flyaway hair need true alpha (not just a hard mask). Methods that also recover F/B/α minimize halos.
  4. Know your alpha. Straight vs. premultiplied produce different edge behavior; export/composite consistently (see overview, Hargreaves).
  5. Pick the right output. For “no background,” deliver a raster with a clean alpha (e.g., PNG/WebP) or keep layered files with masks if further edits are expected. The key is the quality of the alpha you computed—rooted in Porter–Duff.

Quality & evaluation

Academic work reports SAD, MSE, Gradient, and Connectivity errors on Composition-1K. If you’re picking a model, look for those metrics (metric defs; Background Matting metrics section). For portraits/video, MODNet and Background Matting V2 are strong; for general “salient object” images, U2-Net is a solid baseline; for tough transparency, FBA can be cleaner.


Common edge cases (and fixes)

  • Hair & fur: favor matting (trimap or portrait matting like MODNet) and inspect on a checkerboard.
  • Fine structures (bike spokes, fishing line): use high-res inputs and a boundary-aware segmenter such as DeepLabv3+ as a pre-step before matting.
  • See-through stuff (smoke, glass): you need fractional alpha and often foreground color estimation (FBA).
  • Video conferencing: if you can capture a clean plate, Background Matting V2 looks more natural than naive “virtual background” toggles.

Where this shows up in the real world


Why cutouts sometimes look fake (and fixes)

  • Color spill: green/blue light wraps onto the subject—use despill controls or targeted color replacement.
  • Halo/fringes: usually an alpha-interpretation mismatch (straight vs. premultiplied) or edge pixels contaminated by the old background; convert/interpret correctly (overview, details).
  • Wrong blur/grain: paste a razor-sharp subject into a soft background and it pops; match lens blur and grain after compositing (see Porter–Duff basics).

TL;DR playbook

  1. If you control capture: use chroma key; light evenly; plan despill.
  2. If it’s a one-off photo: try Photoshop’s Remove Background, Canva’s remover, or remove.bg; refine with brushes/matting for hair.
  3. If you need production-grade edges: use matting ( closed-form or deep) and check alpha on transparency; mind alpha interpretation.
  4. For portraits/video: consider MODNet or Background Matting V2; for click-guided segmentation, SAM is a powerful front-end.

What is the HRZ format?

Slow Scan TeleVision

The HRZ image format, although not as commonly known as the ubiquitous JPEG, PNG, or GIF formats, stands out for its specialized use in certain fields requiring high-resolution and accurate color representation. This format has been developed to meet the needs of professionals in graphic design, digital art, medical imaging, and scientific research, where precision and quality cannot be compromised. Unlike more conventional formats, HRZ is designed to contain a vast amount of detailed information in a highly efficient manner, making it particularly well-suited for images requiring extensive post-processing or images that will be viewed on very high-resolution displays.

At its core, the HRZ format is a container that can hold images in a lossless or optionally lossy manner, depending on the requirements of the project. This adaptability is a pivotal feature, as it allows users to make a deliberate choice between preserving the utmost quality of an image or opting for a slightly compromised quality in favor of significantly reduced file sizes. This flexibility makes HRZ a versatile tool in the arsenal of any professional dealing with high-definition imagery.

One of the hallmark features of the HRZ format is its support for a wide color gamut and high dynamic range (HDR). With the capability to store information using deep color (up to 16 bits per channel or more), HRZ images can represent a broader spectrum of colors and finer gradations between them than most other formats. This is particularly beneficial in fields like digital cinema and medical imaging, where capturing and reproducing the most accurate and nuanced colors is crucial.

Another significant advantage of the HRZ format is its comprehensive metadata support. Metadata in HRZ files can include copyright information, camera settings, geo-tags, and more, which is essential for professionals who need to keep track of image provenance, settings, and other relevant details. This data is not only vital for archiving purposes but also for ensuring that images are compliant with certain standards and licenses. The robust metadata capabilities of HRZ make it a superior choice for applications requiring detailed documentation alongside the image content.

Compression is another area where HRZ shines. The format employs a sophisticated compression algorithm that is tailored to preserve the utmost detail and color accuracy. Unlike traditional compression methods that may introduce noticeable artifacts or blur, HRZ's algorithm ensures that images remain crisp and vivid, even after compression. This is particularly crucial for archival purposes, where the integrity of an image must be maintained over time, or for applications like digital cinema, where every pixel counts.

HRZ images also support multiple layers and transparency, characteristics highly sought after in graphic design and digital art. This capability allows for complex compositions to be saved in a single file without merging layers, thus preserving the ability to make edits or adjustments in the future. Transparency support further enhances the format's flexibility, making it ideal for creating overlays, logos, and other elements that need to be integrated into various backgrounds.

The format's exceptional scalability is another feature worth noting. HRZ can handle images of practically any resolution, from small thumbnails to massive billboards, without any loss in quality. This scalability makes it a favorite among professionals who work with a wide range of media sizes and need their images to maintain fidelity across different formats and displays.

Moreover, the HRZ format is designed with future-proofing in mind. It supports extensions and future upgrades, which means that as digital imaging technology evolves, the HRZ format can be updated to include new features or improve existing ones without compromising the compatibility of older files. This forward-thinking approach ensures that files saved in the HRZ format remain accessible and relevant, even as newer imaging technologies are developed.

The security features incorporated into the HRZ format are also noteworthy. It includes options for encryption and digital rights management (DRM), enabling users to protect their images from unauthorized access or use. This is especially important for photographers, artists, and any creative professionals who wish to safeguard their intellectual property in the digital realm.

In terms of file handling and software compatibility, HRZ is supported by a growing number of image editing and viewing software, thanks to its open format and the availability of public documentation and libraries. This ease of access encourages widespread adoption and allows developers to integrate HRZ support into their applications, ensuring that users can work with HRZ files without any major hurdles.

Despite its numerous advantages, the HRZ format does face some challenges when it comes to universal adoption. One of the primary obstacles is the relatively larger file size compared to more heavily compressed formats like JPEG. This can be a limiting factor in use cases where storage space is a concern, such as in web development or mobile applications. However, the trade-off for higher quality and richer detail is often considered worthwhile in professional settings where these attributes are non-negotiable.

Another consideration is the need for specialized software to fully exploit the capabilities of the HRZ format. While basic viewing and editing are supported by a number of applications, taking full advantage of the format's features—such as its comprehensive metadata support and advanced color profiles—may require more specialized tools. This can pose a barrier to entry for amateurs or those on tight budgets, although professionals in relevant fields are likely to find the investment justifiable.

The development and maintenance of the HRZ format is overseen by a dedicated consortium of industry stakeholders, ensuring that it continues to meet professional standards and evolve in response to user needs. This governance model helps to maintain the format's quality, security, and compatibility over time, reflecting a commitment to supporting the high-end imaging needs of industries and professionals worldwide.

In conclusion, the HRZ image format represents a significant advancement in digital imaging technology, offering a blend of quality, flexibility, and security that is hard to find in more mainstream formats. Its ability to maintain high-resolution detail, support a broad color spectrum, and manage extensive metadata, makes it an invaluable tool for professionals across various sectors. Despite its challenges, such as larger file sizes and the need for specialized software, the benefits of using HRZ in appropriate contexts far outweigh these considerations. As digital imaging technology continues to evolve, the HRZ format is well-positioned to adapt and remain a key player in the field of professional image management.

Supported formats

AAI.aai

AAI Dune image

AI.ai

Adobe Illustrator CS2

AVIF.avif

AV1 Image File Format

BAYER.bayer

Raw Bayer Image

BMP.bmp

Microsoft Windows bitmap image

CIN.cin

Cineon Image File

CLIP.clip

Image Clip Mask

CMYK.cmyk

Raw cyan, magenta, yellow, and black samples

CUR.cur

Microsoft icon

DCX.dcx

ZSoft IBM PC multi-page Paintbrush

DDS.dds

Microsoft DirectDraw Surface

DPX.dpx

SMTPE 268M-2003 (DPX 2.0) image

DXT1.dxt1

Microsoft DirectDraw Surface

EPDF.epdf

Encapsulated Portable Document Format

EPI.epi

Adobe Encapsulated PostScript Interchange format

EPS.eps

Adobe Encapsulated PostScript

EPSF.epsf

Adobe Encapsulated PostScript

EPSI.epsi

Adobe Encapsulated PostScript Interchange format

EPT.ept

Encapsulated PostScript with TIFF preview

EPT2.ept2

Encapsulated PostScript Level II with TIFF preview

EXR.exr

High dynamic-range (HDR) image

FF.ff

Farbfeld

FITS.fits

Flexible Image Transport System

GIF.gif

CompuServe graphics interchange format

HDR.hdr

High Dynamic Range image

HEIC.heic

High Efficiency Image Container

HRZ.hrz

Slow Scan TeleVision

ICO.ico

Microsoft icon

ICON.icon

Microsoft icon

J2C.j2c

JPEG-2000 codestream

J2K.j2k

JPEG-2000 codestream

JNG.jng

JPEG Network Graphics

JP2.jp2

JPEG-2000 File Format Syntax

JPE.jpe

Joint Photographic Experts Group JFIF format

JPEG.jpeg

Joint Photographic Experts Group JFIF format

JPG.jpg

Joint Photographic Experts Group JFIF format

JPM.jpm

JPEG-2000 File Format Syntax

JPS.jps

Joint Photographic Experts Group JPS format

JPT.jpt

JPEG-2000 File Format Syntax

JXL.jxl

JPEG XL image

MAP.map

Multi-resolution Seamless Image Database (MrSID)

MAT.mat

MATLAB level 5 image format

PAL.pal

Palm pixmap

PALM.palm

Palm pixmap

PAM.pam

Common 2-dimensional bitmap format

PBM.pbm

Portable bitmap format (black and white)

PCD.pcd

Photo CD

PCT.pct

Apple Macintosh QuickDraw/PICT

PCX.pcx

ZSoft IBM PC Paintbrush

PDB.pdb

Palm Database ImageViewer Format

PDF.pdf

Portable Document Format

PDFA.pdfa

Portable Document Archive Format

PFM.pfm

Portable float format

PGM.pgm

Portable graymap format (gray scale)

PGX.pgx

JPEG 2000 uncompressed format

PICT.pict

Apple Macintosh QuickDraw/PICT

PJPEG.pjpeg

Joint Photographic Experts Group JFIF format

PNG.png

Portable Network Graphics

PNG00.png00

PNG inheriting bit-depth, color-type from original image

PNG24.png24

Opaque or binary transparent 24-bit RGB (zlib 1.2.11)

PNG32.png32

Opaque or binary transparent 32-bit RGBA

PNG48.png48

Opaque or binary transparent 48-bit RGB

PNG64.png64

Opaque or binary transparent 64-bit RGBA

PNG8.png8

Opaque or binary transparent 8-bit indexed

PNM.pnm

Portable anymap

PPM.ppm

Portable pixmap format (color)

PS.ps

Adobe PostScript file

PSB.psb

Adobe Large Document Format

PSD.psd

Adobe Photoshop bitmap

RGB.rgb

Raw red, green, and blue samples

RGBA.rgba

Raw red, green, blue, and alpha samples

RGBO.rgbo

Raw red, green, blue, and opacity samples

SIX.six

DEC SIXEL Graphics Format

SUN.sun

Sun Rasterfile

SVG.svg

Scalable Vector Graphics

TIFF.tiff

Tagged Image File Format

VDA.vda

Truevision Targa image

VIPS.vips

VIPS image

WBMP.wbmp

Wireless Bitmap (level 0) image

WEBP.webp

WebP Image Format

YUV.yuv

CCIR 601 4:1:1 or 4:2:2

Frequently asked questions

How does this work?

This converter runs entirely in your browser. When you select a file, it is read into memory and converted to the selected format. You can then download the converted file.

How long does it take to convert a file?

Conversions start instantly, and most files are converted in under a second. Larger files may take longer.

What happens to my files?

Your files are never uploaded to our servers. They are converted in your browser, and the converted file is then downloaded. We never see your files.

What file types can I convert?

We support converting between all image formats, including JPEG, PNG, GIF, WebP, SVG, BMP, TIFF, and more.

How much does this cost?

This converter is completely free, and will always be free. Because it runs in your browser, we don't have to pay for servers, so we don't need to charge you.

Can I convert multiple files at once?

Yes! You can convert as many files as you want at once. Just select multiple files when you add them.