Convert JXLs to JPGs
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What is the JXL format?
JPEG XL image
The JPEG XL (JXL) image format is a next-generation image coding standard that aims to surpass the capabilities of existing formats like JPEG, PNG, and GIF by providing superior compression efficiency, quality, and features. It is the result of a collaborative effort by the Joint Photographic Experts Group (JPEG) committee, which has been instrumental in the development of image compression standards. JPEG XL is designed to be a universal image format that can handle a wide range of use cases, from professional photography to web graphics.
One of the primary goals of JPEG XL is to provide high-quality image compression that can significantly reduce file sizes without compromising visual quality. This is achieved through a combination of advanced compression techniques and a modern coding framework. The format uses a modular approach, allowing it to incorporate various image processing operations such as color space conversions, tone mapping, and responsive resizing directly into the compression pipeline.
JPEG XL is built on the foundation of two previous image codecs: Google's PIK and Cloudinary's FUIF (Free Universal Image Format). These codecs introduced several innovations in image compression, which have been further refined and integrated into JPEG XL. The format is designed to be royalty-free, making it an attractive option for both software developers and content creators who require a cost-effective solution for image storage and distribution.
At the heart of JPEG XL's compression efficiency is its use of a modern entropy coding technique called asymmetric numeral systems (ANS). ANS is a form of arithmetic coding that provides near-optimal compression ratios by efficiently encoding the statistical distribution of image data. This allows JPEG XL to achieve better compression than traditional methods like Huffman coding, which is used in the original JPEG format.
JPEG XL also introduces a new color space called XYB (eXtra Y, Blue-yellow), which is designed to better align with human visual perception. The XYB color space allows for more efficient compression by prioritizing the components of an image that are more important to the human eye. This results in images that not only have smaller file sizes but also exhibit fewer compression artifacts, particularly in areas with subtle color variations.
Another key feature of JPEG XL is its support for high dynamic range (HDR) and wide color gamut (WCG) images. As display technologies evolve, there is an increasing demand for image formats that can handle the extended range of brightness and color that these new displays can produce. JPEG XL's native support for HDR and WCG ensures that images look vibrant and true-to-life on the latest screens, without the need for additional metadata or sidecar files.
JPEG XL is also designed with progressive decoding in mind. This means that an image can be displayed at a lower quality while it is still being downloaded, and the quality can improve progressively as more data becomes available. This feature is particularly useful for web browsing, where users may have varying internet speeds. It allows for a better user experience by providing a preview of the image without having to wait for the entire file to download.
In terms of backward compatibility, JPEG XL offers a unique feature called 'JPEG recompression'. This allows existing JPEG images to be recompressed into JPEG XL format without any additional loss of quality. The recompressed images are not only smaller in size but also retain all the original JPEG data, which means they can be converted back to the original JPEG format if needed. This makes JPEG XL an attractive option for archiving large collections of JPEG images, as it can significantly reduce storage requirements while preserving the ability to revert to the original files.
JPEG XL also addresses the need for responsive images on the web. With its ability to store multiple resolutions of an image within a single file, web developers can serve the most appropriate image size based on the user's device and screen resolution. This eliminates the need for separate image files for different resolutions and simplifies the process of creating responsive web designs.
For professional photographers and graphic designers, JPEG XL supports lossless compression, which ensures that every single bit of the original image data is preserved. This is crucial for applications where image integrity is paramount, such as in medical imaging, digital archives, and professional photo editing. The lossless mode of JPEG XL is also highly efficient, often resulting in smaller file sizes compared to other lossless formats like PNG or TIFF.
JPEG XL's feature set extends to include support for animation, similar to the GIF and WebP formats, but with much better compression and quality. This makes it a suitable replacement for GIFs on the web, providing smoother animations with a wider color palette and without the limitations of GIF's 256-color restriction.
The format also includes robust support for metadata, including EXIF, XMP, and ICC profiles, ensuring that important information about the image is preserved during compression. This metadata can include details such as camera settings, copyright information, and color management data, which are essential for both professional use and the preservation of digital heritage.
Security and privacy are also considered in the design of JPEG XL. The format does not allow for the inclusion of executable code, which reduces the risk of security vulnerabilities that can be exploited through images. Additionally, JPEG XL supports the stripping of sensitive metadata, which can help protect user privacy when sharing images online.
JPEG XL is designed to be future-proof, with a flexible container format that can be extended to support new features and technologies as they emerge. This ensures that the format can adapt to changing requirements and continue to serve as a universal image format for years to come.
In terms of adoption, JPEG XL is still in the early stages, with ongoing efforts to integrate support into web browsers, operating systems, and image editing software. As more platforms adopt the format, it is expected to gain traction as a replacement for older image formats, offering a combination of improved efficiency, quality, and features.
In conclusion, JPEG XL represents a significant advancement in image compression technology. Its combination of high compression efficiency, support for modern imaging features, and backward compatibility positions it as a strong candidate to become the new standard for image storage and transmission. As the format gains wider adoption, it has the potential to transform the way we create, share, and consume digital images, making them more accessible and enjoyable for everyone.
What is the JPG format?
Joint Photographic Experts Group JFIF format
The JPEG (Joint Photographic Experts Group) image format, commonly known as JPG, is a widely used method of lossy compression for digital images, particularly for those images produced by digital photography. The degree of compression can be adjusted, allowing a selectable trade-off between storage size and image quality. JPEG typically achieves 10:1 compression with little perceptible loss in image quality.
JPEG compression is used in a number of image file formats. JPEG/Exif is the most common image format used by digital cameras and other photographic image capture devices; along with JPEG/JFIF, it is the most common format for storing and transmitting photographic images on the World Wide Web. These format variations are often not distinguished, and are simply called JPEG.
The JPEG format includes a variety of standards, including JPEG/Exif, JPEG/JFIF, and JPEG 2000, which is a newer standard that offers better compression efficiency with higher computational complexity. The JPEG standard is complex, with various parts and profiles, but the most commonly used JPEG standard is the baseline JPEG, which is what most people are referring to when they mention 'JPEG' images.
The JPEG compression algorithm is at its core a discrete cosine transform (DCT) based compression technique. The DCT is a Fourier-related transform similar to the discrete Fourier transform (DFT), but using only cosine functions. The DCT is used because it has the property of concentrating most of the signal in the lower frequency region of the spectrum, which correlates well with the properties of natural images.
The JPEG compression process involves several steps. Initially, the image is converted from its original color space (usually RGB) to a different color space known as YCbCr. The YCbCr color space separates the image into a luminance component (Y), which represents the brightness levels, and two chrominance components (Cb and Cr), which represent the color information. This separation is beneficial because the human eye is more sensitive to variations in brightness than color, allowing more aggressive compression of the chrominance components without significantly affecting perceived image quality.
After color space conversion, the image is split into blocks, typically 8x8 pixels in size. Each block is then processed separately. For each block, the DCT is applied, which transforms the spatial domain data into frequency domain data. This step is crucial as it makes the image data more amenable to compression, as natural images tend to have low-frequency components that are more significant than high-frequency components.
Once the DCT is applied, the resulting coefficients are quantized. Quantization is the process of mapping a large set of input values to a smaller set, effectively reducing the number of bits needed to store them. This is the primary source of loss in JPEG compression. The quantization step is controlled by a quantization table, which determines how much compression is applied to each DCT coefficient. By adjusting the quantization table, users can trade off between image quality and file size.
After quantization, the coefficients are linearized by zigzag scanning, which orders them by increasing frequency. This step is important because it groups together low-frequency coefficients that are more likely to be significant, and high-frequency coefficients that are more likely to be zero or near-zero after quantization. This ordering facilitates the next step, which is entropy coding.
Entropy coding is a method of lossless compression that is applied to the quantized DCT coefficients. The most common form of entropy coding used in JPEG is Huffman coding, although arithmetic coding is also supported by the standard. Huffman coding works by assigning shorter codes to more frequent elements and longer codes to less frequent elements. Since natural images tend to have many zero or near-zero coefficients after quantization, especially in the high-frequency region, Huffman coding can significantly reduce the size of the compressed data.
The final step in the JPEG compression process is to store the compressed data in a file format. The most common format is the JPEG File Interchange Format (JFIF), which defines how to represent the compressed data and associated metadata, such as the quantization tables and Huffman code tables, in a file that can be decoded by a wide range of software. Another common format is the Exchangeable image file format (Exif), which is used by digital cameras and includes metadata such as camera settings and scene information.
JPEG files also include markers, which are code sequences that define certain parameters or actions in the file. These markers can indicate the start of an image, the end of an image, define quantization tables, specify Huffman code tables, and more. Markers are essential for the proper decoding of the JPEG image, as they provide the necessary information to reconstruct the image from the compressed data.
One of the key features of JPEG is its support for progressive encoding. In progressive JPEG, the image is encoded in multiple passes, each improving the image quality. This allows a low-quality version of the image to be displayed while the file is still being downloaded, which can be particularly useful for web images. Progressive JPEG files are generally larger than baseline JPEG files, but the difference in quality during loading can improve user experience.
Despite its widespread use, JPEG has some limitations. The lossy nature of the compression can lead to artifacts such as blocking, where the image may show visible squares, and 'ringing', where edges may be accompanied by spurious oscillations. These artifacts are more noticeable at higher compression levels. Additionally, JPEG is not well-suited for images with sharp edges or high contrast text, as the compression algorithm can blur edges and reduce readability.
To address some of the limitations of the original JPEG standard, JPEG 2000 was developed. JPEG 2000 offers several improvements over baseline JPEG, including better compression efficiency, support for lossless compression, and the ability to handle a wider range of image types effectively. However, JPEG 2000 has not seen widespread adoption compared to the original JPEG standard, largely due to the increased computational complexity and lack of support in some software and web browsers.
In conclusion, the JPEG image format is a complex but efficient method for compressing photographic images. Its widespread adoption is due to its flexibility in balancing image quality with file size, making it suitable for a variety of applications, from web graphics to professional photography. While it has its drawbacks, such as susceptibility to compression artifacts, its ease of use and support across a wide range of devices and software make it one of the most popular image formats in use today.
Supported formats
AAI.aai
AAI Dune image
AI.ai
Adobe Illustrator CS2
AVIF.avif
AV1 Image File Format
BAYER.bayer
Raw Bayer Image
BMP.bmp
Microsoft Windows bitmap image
CIN.cin
Cineon Image File
CLIP.clip
Image Clip Mask
CMYK.cmyk
Raw cyan, magenta, yellow, and black samples
CUR.cur
Microsoft icon
DCX.dcx
ZSoft IBM PC multi-page Paintbrush
DDS.dds
Microsoft DirectDraw Surface
DPX.dpx
SMTPE 268M-2003 (DPX 2.0) image
DXT1.dxt1
Microsoft DirectDraw Surface
EPDF.epdf
Encapsulated Portable Document Format
EPI.epi
Adobe Encapsulated PostScript Interchange format
EPS.eps
Adobe Encapsulated PostScript
EPSF.epsf
Adobe Encapsulated PostScript
EPSI.epsi
Adobe Encapsulated PostScript Interchange format
EPT.ept
Encapsulated PostScript with TIFF preview
EPT2.ept2
Encapsulated PostScript Level II with TIFF preview
EXR.exr
High dynamic-range (HDR) image
FF.ff
Farbfeld
FITS.fits
Flexible Image Transport System
GIF.gif
CompuServe graphics interchange format
HDR.hdr
High Dynamic Range image
HEIC.heic
High Efficiency Image Container
HRZ.hrz
Slow Scan TeleVision
ICO.ico
Microsoft icon
ICON.icon
Microsoft icon
J2C.j2c
JPEG-2000 codestream
J2K.j2k
JPEG-2000 codestream
JNG.jng
JPEG Network Graphics
JP2.jp2
JPEG-2000 File Format Syntax
JPE.jpe
Joint Photographic Experts Group JFIF format
JPEG.jpeg
Joint Photographic Experts Group JFIF format
JPG.jpg
Joint Photographic Experts Group JFIF format
JPM.jpm
JPEG-2000 File Format Syntax
JPS.jps
Joint Photographic Experts Group JPS format
JPT.jpt
JPEG-2000 File Format Syntax
JXL.jxl
JPEG XL image
MAP.map
Multi-resolution Seamless Image Database (MrSID)
MAT.mat
MATLAB level 5 image format
PAL.pal
Palm pixmap
PALM.palm
Palm pixmap
PAM.pam
Common 2-dimensional bitmap format
PBM.pbm
Portable bitmap format (black and white)
PCD.pcd
Photo CD
PCT.pct
Apple Macintosh QuickDraw/PICT
PCX.pcx
ZSoft IBM PC Paintbrush
PDB.pdb
Palm Database ImageViewer Format
PDF.pdf
Portable Document Format
PDFA.pdfa
Portable Document Archive Format
PFM.pfm
Portable float format
PGM.pgm
Portable graymap format (gray scale)
PGX.pgx
JPEG 2000 uncompressed format
PICT.pict
Apple Macintosh QuickDraw/PICT
PJPEG.pjpeg
Joint Photographic Experts Group JFIF format
PNG.png
Portable Network Graphics
PNG00.png00
PNG inheriting bit-depth, color-type from original image
PNG24.png24
Opaque or binary transparent 24-bit RGB (zlib 1.2.11)
PNG32.png32
Opaque or binary transparent 32-bit RGBA
PNG48.png48
Opaque or binary transparent 48-bit RGB
PNG64.png64
Opaque or binary transparent 64-bit RGBA
PNG8.png8
Opaque or binary transparent 8-bit indexed
PNM.pnm
Portable anymap
PPM.ppm
Portable pixmap format (color)
PS.ps
Adobe PostScript file
PSB.psb
Adobe Large Document Format
PSD.psd
Adobe Photoshop bitmap
RGB.rgb
Raw red, green, and blue samples
RGBA.rgba
Raw red, green, blue, and alpha samples
RGBO.rgbo
Raw red, green, blue, and opacity samples
SIX.six
DEC SIXEL Graphics Format
SUN.sun
Sun Rasterfile
SVG.svg
Scalable Vector Graphics
TIFF.tiff
Tagged Image File Format
VDA.vda
Truevision Targa image
VIPS.vips
VIPS image
WBMP.wbmp
Wireless Bitmap (level 0) image
WEBP.webp
WebP Image Format
YUV.yuv
CCIR 601 4:1:1 or 4:2:2
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