Convert AVIFs to JPGs

Unlimited conversions. Filesizes up to 2.5GB. For free, forever.

All local

Our converter runs in your browser, so we never see your data.

Blazing fast

No uploading your files to a server—conversions start instantly.

Secure by default

Unlike other converters, your files are never uploaded to us.

What is the AVIF format?

AV1 Image File Format

AVIF (AV1 Image File Format) is a modern image file format that utilizes the AV1 video codec to provide superior compression efficiency compared to older formats like JPEG, PNG, and WebP. Developed by the Alliance for Open Media (AOMedia), AVIF aims to deliver high-quality images with smaller file sizes, making it an attractive choice for web developers and content creators looking to optimize their websites and applications.

At the core of AVIF is the AV1 video codec, which was designed as a royalty-free alternative to proprietary codecs like H.264 and HEVC. AV1 employs advanced compression techniques, such as intra-frame and inter-frame prediction, transform coding, and entropy coding, to achieve significant bitrate savings while maintaining visual quality. By leveraging AV1's intra-frame coding capabilities, AVIF can compress still images more efficiently than traditional formats.

One of the key features of AVIF is its support for both lossy and lossless compression. Lossy compression allows for higher compression ratios at the expense of some image quality, while lossless compression preserves the original image data without any loss of information. This flexibility enables developers to choose the appropriate compression mode based on their specific requirements, balancing file size and image fidelity.

AVIF also supports a wide range of color spaces and bit depths, making it suitable for various image types and use cases. It can handle both RGB and YUV color spaces, with bit depths ranging from 8 to 12 bits per channel. Additionally, AVIF supports high dynamic range (HDR) imaging, allowing for the representation of a broader range of luminance values and more vibrant colors. This capability is particularly beneficial for HDR displays and content.

Another significant advantage of AVIF is its ability to encode images with an alpha channel, enabling transparency. This feature is crucial for graphics and logos that require seamless integration with different background colors or patterns. AVIF's alpha channel support is more efficient compared to PNG, as it can compress the transparency information alongside the image data.

To create an AVIF image, the source image data is first divided into a grid of coding units, typically with a size of 64x64 pixels. Each coding unit is then further divided into smaller blocks, which are processed independently by the AV1 encoder. The encoder applies a sequence of compression techniques, such as prediction, transform coding, quantization, and entropy coding, to reduce the data size while preserving image quality.

During the prediction stage, the encoder uses intra-frame prediction to estimate the pixel values within a block based on the surrounding pixels. This process exploits spatial redundancy and helps to reduce the amount of data that needs to be encoded. Inter-frame prediction, which is used in video compression, is not applicable to still images like AVIF.

After prediction, the residual data (the difference between the predicted and actual pixel values) undergoes transform coding. The AV1 codec employs a set of discrete cosine transform (DCT) and asymmetric discrete sine transform (ADST) functions to convert the spatial domain data into the frequency domain. This step helps to concentrate the energy of the residual signal into fewer coefficients, making it more amenable to compression.

Quantization is then applied to the transformed coefficients to reduce the precision of the data. By discarding less significant information, quantization allows for higher compression ratios at the cost of some loss in image quality. The quantization parameters can be adjusted to control the trade-off between file size and image fidelity.

Finally, entropy coding techniques, such as arithmetic coding or variable-length coding, are used to compress the quantized coefficients further. These techniques assign shorter codes to more frequently occurring symbols, resulting in a more compact representation of the image data.

Once the encoding process is complete, the compressed image data is packaged into the AVIF container format, which includes metadata such as image dimensions, color space, and bit depth. The resulting AVIF file can then be stored or transmitted efficiently, taking up less storage space or bandwidth compared to other image formats.

To decode an AVIF image, the reverse process is followed. The decoder extracts the compressed image data from the AVIF container and applies entropy decoding to reconstruct the quantized coefficients. Inverse quantization and inverse transform coding are then performed to obtain the residual data. The predicted pixel values, derived from the intra-frame prediction, are added to the residual data to reconstruct the final image.

One of the challenges in adopting AVIF is its relatively recent introduction and limited browser support compared to established formats like JPEG and PNG. However, as more browsers and image processing tools begin to support AVIF natively, its adoption is expected to grow, driven by the increasing demand for efficient image compression.

To address compatibility issues, websites and applications can employ fallback mechanisms, serving AVIF images to compatible clients while providing alternative formats like JPEG or WebP for older browsers. This approach ensures that users can access the content regardless of their browser's support for AVIF.

In conclusion, AVIF is a promising image file format that leverages the power of the AV1 video codec to deliver superior compression efficiency. With its support for lossy and lossless compression, a wide range of color spaces and bit depths, HDR imaging, and alpha channel transparency, AVIF offers a versatile solution for optimizing images on the web. As browser support continues to expand and more tools embrace AVIF, it has the potential to become a preferred choice for developers and content creators seeking to reduce image file sizes without compromising visual quality.

What is the JPG format?

Joint Photographic Experts Group JFIF format

The JPEG (Joint Photographic Experts Group) image format, commonly known as JPG, is a widely used method of lossy compression for digital images, particularly for those images produced by digital photography. The degree of compression can be adjusted, allowing a selectable trade-off between storage size and image quality. JPEG typically achieves 10:1 compression with little perceptible loss in image quality.

JPEG compression is used in a number of image file formats. JPEG/Exif is the most common image format used by digital cameras and other photographic image capture devices; along with JPEG/JFIF, it is the most common format for storing and transmitting photographic images on the World Wide Web. These format variations are often not distinguished, and are simply called JPEG.

The JPEG format includes a variety of standards, including JPEG/Exif, JPEG/JFIF, and JPEG 2000, which is a newer standard that offers better compression efficiency with higher computational complexity. The JPEG standard is complex, with various parts and profiles, but the most commonly used JPEG standard is the baseline JPEG, which is what most people are referring to when they mention 'JPEG' images.

The JPEG compression algorithm is at its core a discrete cosine transform (DCT) based compression technique. The DCT is a Fourier-related transform similar to the discrete Fourier transform (DFT), but using only cosine functions. The DCT is used because it has the property of concentrating most of the signal in the lower frequency region of the spectrum, which correlates well with the properties of natural images.

The JPEG compression process involves several steps. Initially, the image is converted from its original color space (usually RGB) to a different color space known as YCbCr. The YCbCr color space separates the image into a luminance component (Y), which represents the brightness levels, and two chrominance components (Cb and Cr), which represent the color information. This separation is beneficial because the human eye is more sensitive to variations in brightness than color, allowing more aggressive compression of the chrominance components without significantly affecting perceived image quality.

After color space conversion, the image is split into blocks, typically 8x8 pixels in size. Each block is then processed separately. For each block, the DCT is applied, which transforms the spatial domain data into frequency domain data. This step is crucial as it makes the image data more amenable to compression, as natural images tend to have low-frequency components that are more significant than high-frequency components.

Once the DCT is applied, the resulting coefficients are quantized. Quantization is the process of mapping a large set of input values to a smaller set, effectively reducing the number of bits needed to store them. This is the primary source of loss in JPEG compression. The quantization step is controlled by a quantization table, which determines how much compression is applied to each DCT coefficient. By adjusting the quantization table, users can trade off between image quality and file size.

After quantization, the coefficients are linearized by zigzag scanning, which orders them by increasing frequency. This step is important because it groups together low-frequency coefficients that are more likely to be significant, and high-frequency coefficients that are more likely to be zero or near-zero after quantization. This ordering facilitates the next step, which is entropy coding.

Entropy coding is a method of lossless compression that is applied to the quantized DCT coefficients. The most common form of entropy coding used in JPEG is Huffman coding, although arithmetic coding is also supported by the standard. Huffman coding works by assigning shorter codes to more frequent elements and longer codes to less frequent elements. Since natural images tend to have many zero or near-zero coefficients after quantization, especially in the high-frequency region, Huffman coding can significantly reduce the size of the compressed data.

The final step in the JPEG compression process is to store the compressed data in a file format. The most common format is the JPEG File Interchange Format (JFIF), which defines how to represent the compressed data and associated metadata, such as the quantization tables and Huffman code tables, in a file that can be decoded by a wide range of software. Another common format is the Exchangeable image file format (Exif), which is used by digital cameras and includes metadata such as camera settings and scene information.

JPEG files also include markers, which are code sequences that define certain parameters or actions in the file. These markers can indicate the start of an image, the end of an image, define quantization tables, specify Huffman code tables, and more. Markers are essential for the proper decoding of the JPEG image, as they provide the necessary information to reconstruct the image from the compressed data.

One of the key features of JPEG is its support for progressive encoding. In progressive JPEG, the image is encoded in multiple passes, each improving the image quality. This allows a low-quality version of the image to be displayed while the file is still being downloaded, which can be particularly useful for web images. Progressive JPEG files are generally larger than baseline JPEG files, but the difference in quality during loading can improve user experience.

Despite its widespread use, JPEG has some limitations. The lossy nature of the compression can lead to artifacts such as blocking, where the image may show visible squares, and 'ringing', where edges may be accompanied by spurious oscillations. These artifacts are more noticeable at higher compression levels. Additionally, JPEG is not well-suited for images with sharp edges or high contrast text, as the compression algorithm can blur edges and reduce readability.

To address some of the limitations of the original JPEG standard, JPEG 2000 was developed. JPEG 2000 offers several improvements over baseline JPEG, including better compression efficiency, support for lossless compression, and the ability to handle a wider range of image types effectively. However, JPEG 2000 has not seen widespread adoption compared to the original JPEG standard, largely due to the increased computational complexity and lack of support in some software and web browsers.

In conclusion, the JPEG image format is a complex but efficient method for compressing photographic images. Its widespread adoption is due to its flexibility in balancing image quality with file size, making it suitable for a variety of applications, from web graphics to professional photography. While it has its drawbacks, such as susceptibility to compression artifacts, its ease of use and support across a wide range of devices and software make it one of the most popular image formats in use today.

Supported formats

AAI.aai

AAI Dune image

AI.ai

Adobe Illustrator CS2

AVIF.avif

AV1 Image File Format

AVS.avs

AVS X image

BAYER.bayer

Raw Bayer Image

BMP.bmp

Microsoft Windows bitmap image

CIN.cin

Cineon Image File

CLIP.clip

Image Clip Mask

CMYK.cmyk

Raw cyan, magenta, yellow, and black samples

CMYKA.cmyka

Raw cyan, magenta, yellow, black, and alpha samples

CUR.cur

Microsoft icon

DCX.dcx

ZSoft IBM PC multi-page Paintbrush

DDS.dds

Microsoft DirectDraw Surface

DPX.dpx

SMTPE 268M-2003 (DPX 2.0) image

DXT1.dxt1

Microsoft DirectDraw Surface

EPDF.epdf

Encapsulated Portable Document Format

EPI.epi

Adobe Encapsulated PostScript Interchange format

EPS.eps

Adobe Encapsulated PostScript

EPSF.epsf

Adobe Encapsulated PostScript

EPSI.epsi

Adobe Encapsulated PostScript Interchange format

EPT.ept

Encapsulated PostScript with TIFF preview

EPT2.ept2

Encapsulated PostScript Level II with TIFF preview

EXR.exr

High dynamic-range (HDR) image

FARBFELD.ff

Farbfeld

FF.ff

Farbfeld

FITS.fits

Flexible Image Transport System

GIF.gif

CompuServe graphics interchange format

GIF87.gif87

CompuServe graphics interchange format (version 87a)

GROUP4.group4

Raw CCITT Group4

HDR.hdr

High Dynamic Range image

HRZ.hrz

Slow Scan TeleVision

ICO.ico

Microsoft icon

ICON.icon

Microsoft icon

IPL.ipl

IP2 Location Image

J2C.j2c

JPEG-2000 codestream

J2K.j2k

JPEG-2000 codestream

JNG.jng

JPEG Network Graphics

JP2.jp2

JPEG-2000 File Format Syntax

JPC.jpc

JPEG-2000 codestream

JPE.jpe

Joint Photographic Experts Group JFIF format

JPEG.jpeg

Joint Photographic Experts Group JFIF format

JPG.jpg

Joint Photographic Experts Group JFIF format

JPM.jpm

JPEG-2000 File Format Syntax

JPS.jps

Joint Photographic Experts Group JPS format

JPT.jpt

JPEG-2000 File Format Syntax

JXL.jxl

JPEG XL image

MAP.map

Multi-resolution Seamless Image Database (MrSID)

MAT.mat

MATLAB level 5 image format

PAL.pal

Palm pixmap

PALM.palm

Palm pixmap

PAM.pam

Common 2-dimensional bitmap format

PBM.pbm

Portable bitmap format (black and white)

PCD.pcd

Photo CD

PCDS.pcds

Photo CD

PCT.pct

Apple Macintosh QuickDraw/PICT

PCX.pcx

ZSoft IBM PC Paintbrush

PDB.pdb

Palm Database ImageViewer Format

PDF.pdf

Portable Document Format

PDFA.pdfa

Portable Document Archive Format

PFM.pfm

Portable float format

PGM.pgm

Portable graymap format (gray scale)

PGX.pgx

JPEG 2000 uncompressed format

PICON.picon

Personal Icon

PICT.pict

Apple Macintosh QuickDraw/PICT

PJPEG.pjpeg

Joint Photographic Experts Group JFIF format

PNG.png

Portable Network Graphics

PNG00.png00

PNG inheriting bit-depth, color-type from original image

PNG24.png24

Opaque or binary transparent 24-bit RGB (zlib 1.2.11)

PNG32.png32

Opaque or binary transparent 32-bit RGBA

PNG48.png48

Opaque or binary transparent 48-bit RGB

PNG64.png64

Opaque or binary transparent 64-bit RGBA

PNG8.png8

Opaque or binary transparent 8-bit indexed

PNM.pnm

Portable anymap

PPM.ppm

Portable pixmap format (color)

PS.ps

Adobe PostScript file

PSB.psb

Adobe Large Document Format

PSD.psd

Adobe Photoshop bitmap

RGB.rgb

Raw red, green, and blue samples

RGBA.rgba

Raw red, green, blue, and alpha samples

RGBO.rgbo

Raw red, green, blue, and opacity samples

SIX.six

DEC SIXEL Graphics Format

SUN.sun

Sun Rasterfile

SVG.svg

Scalable Vector Graphics

SVGZ.svgz

Compressed Scalable Vector Graphics

TIFF.tiff

Tagged Image File Format

VDA.vda

Truevision Targa image

VIPS.vips

VIPS image

WBMP.wbmp

Wireless Bitmap (level 0) image

WEBP.webp

WebP Image Format

YUV.yuv

CCIR 601 4:1:1 or 4:2:2

Frequently asked questions

How does this work?

This converter runs entirely in your browser. When you select a file, it is read into memory and converted to the selected format. You can then download the converted file.

How long does it take to convert a file?

Conversions start instantly, and most files are converted in under a second. Larger files may take longer.

What happens to my files?

Your files are never uploaded to our servers. They are converted in your browser, and the converted file is then downloaded. We never see your files.

What file types can I convert?

We support converting between all image formats, including JPEG, PNG, GIF, WebP, SVG, BMP, TIFF, and more.

How much does this cost?

This converter is completely free, and will always be free. Because it runs in your browser, we don't have to pay for servers, so we don't need to charge you.

Can I convert multiple files at once?

Yes! You can convert as many files as you want at once. Just select multiple files when you add them.